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This body of work investigates color as both a visual phenomenon and a sensory experience through the structured interplay of color blocks. By isolating pure hues within defined geometries, the series engages in a deliberate inquiry into the resonance and relationships between adjacent colors. Inspired by Josef Albers' theories of interaction and perception, each composition becomes a laboratory for observing how colors communicate, merge, repel, or vibrate against each other.

The color blocks serve not merely as static forms, but as dynamic agents provoking subtle shifts in perception. Edges become fluid boundaries where tension and harmony coexist, compelling the viewer to reconsider color’s innate subjectivity. This minimalist approach distills visual complexity to its essence, inviting contemplation and emotional response without external reference or representation.

Through careful arrangement and intuitive selection, the works reveal color’s intrinsic power to evoke memory, mood, and spatial awareness. Ultimately, this exploration highlights the ephemeral quality of color perception—how a single hue transforms through juxtaposition, becoming both catalyst and container for infinite visual experiences. The compositions invite quiet reflection, emphasizing the contemplative nature of color itself and celebrating its enduring capacity to resonate profoundly within human consciousness.